John Timberlake‘s (b.1967) practice and research as a fine artist engages principally with photography, painting and drawing, underpinned by the legacies and dialogics of conceptualism. Drawing on the Romantic tradition and the English Picturesque, in Timberlake’s work, landscape is inevitably the site of the trauma of history, it also resonates with the possibilities of recalibrations and renewals through imagined futures. Whilst Timberlake’s work is principally pictorial, it is not bound by one medium, nor one single style: his concerns as an artist are expressed through painting, photography, collage, drawing, sculpture and, occasionally, text.